“破镜不重拾，落花难上枝？”，这是最近和作为AGI（通用人工智能）的chatGPT相关的热点话题之一。这一话题引发和提出了人工智能的一些本质问题讨论。譬如：人类的人工智能实践其实是人类不断认识自身和重新创造“新人”的实践，它是伴随着人类诞生和发展的，最为源远流长的一项传统创造性实践活动？它也必将继续秉持“为大众和创造新大众”的宗旨，坚持发挥其普遍智性的精神。

面对一次次新的革命性媒介的震撼和创伤，从发明文字的冲击到电子复制的冲击，直到到目前的AI冲击，作为人类感性的，文化生产的系统，艺术及其展览一直以来担负着为大众提供媒介免疫的作用。譬如，通过为我们的身心提前接种新媒介来适应新媒介？通过坚持我们身心上的旧媒介来适应和接纳新媒介？

作为这一系列项目的名称，“讯息即媒介”反转了“讯息即媒介”的命题，但又要如何合成到今日讯息社会之绝对唯物主义的存在呢？季、集、项目、X空间等操作模式突出这一系列项目的随机剧情演绎性，这也是本着ChatGPT的“对话、学习和表达，再对话、再学习和再表达”，本着这一无限反复的自我学习之模式和精神而来的，是一种持续性的推演式展示生产模式。项目在其操作的各个层面上也会机智纳入各种传统和创新的，人肉和电子的AGI的参与。

"Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches" is an appropriate topic raised by AGI's ChatGPT these days, which addresses some essential issues of general artificial intelligence: that artificial intelligence is actually a traditional creative activity of human beings constantly understanding themselves and recreating "new people" since human existence has a long history. It will also continue to play the spirit of "creating new audiences for the public" and universal intellectualism.

Faced with the shock and trauma of new revolutionary media, from the impact of text to the impact of electronic industrialization replication to the current impact of AI, art and its exhibitions, as a human sensory and cultural production system, have always been responsible for providing media immunity to the public: by accessing our physical and mental new media to adapt to new media, and by adhering to our old media to improve and escort new media.

The projects of the first season also echoed the theme of "Message as Medium" at AMNUA, which subverted the notion that "Message is the Medium" and emphasized that the medium itself is the content. The operation mode of season, episode, exhibition, project, and X space highlights the spirit of this project's random plot deduction, which is based on the repeated self-training learning mode of "conversation, learning, and expression, and then conversation, learning, and expression" of ChatGPT, a continuous deduction-style exhibition production mode. At various levels of project operation, some form of AGI will also be cleverly integrated.

第一季三集：

“破镜不重拾，落花难上枝”  _《讯息即媒介》第一季 第1集

现成品，林枞

"Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches"_The Message is Medium  Episode 1

Readymade, Lin Cong

林枞 Lin Cong

现成品  Ready-made

2022

木板 镜面亚克力 油彩 Wood panel, Mirrored acrylic, Oil paint

170 x 122cm

林枞 Lin Cong现成品 5  Ready-made 52022
木板 镜面亚克力 油彩 Wood panel, Mirrored acrylic, Oil paint

60 x 80cm

“破镜不重拾，落花难上枝” _《讯息即媒介》第一季 第2集

西游记，曹应斌

Journey to the West, Cao Yingbin

"Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches"_The Message is Medium  Episode 2

曹应斌 Cao Yingbin

拥抱真理的哲学家 Philosophers who embrace truth2020

布面油画 Oil on canvas30 x 40cm

曹应斌 Cao Yingbin罗马国家考古博物馆 National Archaeological Museum of Rome2020
布面油画 Oil on canvas30 x 40cm

图片由艺术家惠允

“破镜不重拾，落花难上枝” _《讯息即媒介》第一季 第3集

艺术家：方政

Artist: Fang Zheng

"Shattered Mirrors Cannot be Reassembled, Fallen Flowers Cannot be Returned to the Branches"_The Message is Medium  Episode 3

方政 Fang Zheng人造美人 Beauty Algorithm2020
影像装置 Video installation

方政 Fang Zheng对于全国美展的机器学习分析 Machine Learning Approaches On China National Exhibitions Of Fine Arts2020
人工智能生成图像 Images generated by artificial intelligence